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Mechanic Theatre in Baltimore for two seasons. He also undertook the opening and managing of the Rich Forum for the Stamford Center for the Arts in Cohen also undertook a number of marketing projects, such as a weeklong travel package to the Laurence Olivier Awards in London with American Express in In , Cohen convened the First American Congress of Theatre at Princeton University to identify problems facing every sector of the theater and to suggest possible solutions.

He played the producer possibly modeled after him in the Woody Allen film, The Purple Rose of Cairo and taught a course in producing for the theater at the New School in the s. In , he appeared in a one-man show Off Broadway, Star Billing , humorously recounting his life in the theater. Alexander H. In a notebook that contains jottings probably intended for his memoirs, Cohen wrote, "I wanted to become the master of the grand gesture.

Primarily documenting the career of theater and television producer Alexander H. Cohen, the papers consist of correspondence, contracts, financial records, office files, photographs, slides, scrapbooks, programs, scripts, datebooks, publicity material, clippings, production materials, scores, writings, posters, floor plans, and costume designs.

There are also a number of personal papers, as well as some materials by and about Cohen's wife and professional partner, Hildy Parks, a writer, producer, and actress. They are perhaps best known for producing the Tony Awards telecasts from to and for presenting the three Night of Stars telecasts , , and The papers are especially rich in contracts and financial papers for Cohen's theatrical and television ventures, both produced and unproduced, most especially from the s through his final production, Waiting in the Wings by Noel Coward However, several of the scrapbooks and a number of photos document Cohen's earliest theater productions from the s.

Although Cohen's theatrical ventures in America form the bulk of the collection, his London productions are also represented in the papers. Cohen's hands-on approach to producing is reflected in his correspondence with playwrights, actors, and investors, as well as in script and casting notes. His flair for marketing and promotion is evident throughout the papers, especially for productions such as Baker Street and Accomplice , and in numerous joint ventures with corporate sponsors, such as American Express and Mumm Champagne.

Papers relating to lawsuits in which Cohen was a party can also be found throughout the collection. Theater productions comprise a large part of the collection, but Cohen's television projects, such as the Tony Awards and the three Night of Stars specials, are also well documented. Other projects and events, such as Cohen's management of the O'Keefe Centre in Toronto, and several other theaters, can also be found in the collection. The office files and other project files encompass Cohen's myriad activities, including his subsidiary companies such as Bentwood Television and Theatre Tours, as well as his work for the Actors' Fund of America.

The collection provides a window on the work of one of the last of the 20th Century's individual producers. This series consists mostly of financial and legal papers, but also includes correspondence, a number of scripts, programs, publicity and production materials, and ephemera for many of Cohen's more than theater and television presentations.

His earliest theater productions from the s are documented in other series in the papers, such as Photographs and Scrapbooks. Additional related financial and legal papers can be found in the Loose Financial Records series and in the Subsidiaries files of the Office Files series. This series consists of correspondence, scripts, contracts, financial papers, and production materials principally for theater and television projects either unproduced, or not produced by Cohen.

However, it also encompasses events both inside and outside of the entertainment realm, in which Cohen was involved, and companies and organizations with which he worked. This series contains the records for Cohen's subsidiary companies, through which he did business, his individual and joint with Hildy Parks business accounts and files, and general office files, which contain correspondence and financial papers. There is also a small number of personal papers for Cohen and his family.

Additional financial items for Cohen and the subsidiaries can be found in the Loose Financial Records series. This series contains monthly bank statements, checks and check stubs, deposit slips, and several ledgers for theater and television productions, corporate, tax, manager, and office accounts. There are also weekly theater settlement envelopes containing receipts and some box office statements for stage productions. This series is comprised of photographs, negatives, contacts sheets, and slides mostly of personalities, but also for stage and television productions. There are also some personal photographs of Cohen and his family, as well as a few for other projects on which he worked.


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Additional photographs can be found in the Oversized and Scrapbooks series. This series consists of scrapbooks primarily filled with clippings, but several scrapbooks also contain a few photos, programs, and publicity materials on Cohen himself, his family, and his productions. The scrapbooks provide the most complete documentation in the collection of Cohen's early career and life in the s and early s, including the Red Barn Theatre he ran in Locust Valley, Long Island in They are also almost the only documentation in the papers for Cohen's organization of the First American Congress of Theatre and his attempt to convene the U.

Bicentennial World Theatre Festival in Mechanic Theatre in Baltimore can also be found in the scrapbooks. The Baker Street scrapbook contains a small vinyl recording, from Show magazine, of Richard Burton performing "A Married Man," a song from the musical. John F. Kennedy, where they received a standing ovation, delaying the curtain by eight-minutes. This series contains souvenir programs, music scores, financial records, photographs, window cards, clipping enlargements, several costume designs, and awards given to Hildy Parks.

The souvenir programs are from a number of Cohen's stage productions, such as Hamlet , Hellzapoppin '67 , and a program mockup for the Broadway-bound Hellzapoppin starring Jerry Lewis. Financial papers include ledger books and sheets, and payroll sheets, both for productions and for Cohen's subsidiaries Bentwood Television, Inc. There are also stock certificates for the latter two companies. Some financial material is restricted because it contains personal information. Photographs are both loose and in albums. Tony Awards albums contain photos of the awards show and rehearsals, as well as related events such as the nominations luncheon.

The La Tragedie de Carmen albums also include performance and rehearsal photos. There also two costume designs by Alvin Colt, one from Waiting in the Wings , the other from Night of Stars ; both are inscribed to Hildy Parks. There are also two citations for Parks, including one from the Actors' Fund for writing and producing the first two Night of Stars programs; the other is the Proclamation, by the Manhattan Borough President, of Hildy Parks Day, March 12, Cohen and his family.

Audiovisual materials separated from archival collections are cataloged individually and can be found in the Library catalog. This series documents Cohen's theater productions, primarily in New York from the s, but also includes some materials for his London and Toronto productions. Production notes, casting notes, correspondence, and memos to authors and directors document Cohen's involvement as a producer. In the s, he produced a series of financially unsuccessful, albeit notable shows included in the files, such as King Lear , starring Louis Calhern, the musical Make a Wish starring Nanette Fabray, and The First Gentleman directed by Tyrone Guthrie and starring Walter Slezak.

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Cohen fashioned his Nine O' Clock Theatre as intimate productions of concerts and revues, so theatergoers would not have to rush through dinner for an eight o' clock curtain. The two Flanders and Swann revues and Beyond the Fringe also toured and these are well documented in the papers. There are only two items in the collection for Cohen's autobiographical one-man show, Star Billing Cohen attempted twice to bring back Olsen and Johnson's Hellzapoppin to Broadway, the first entitled Hellzapoppin '67 , starring Soupy Sales at the Montreal Expo, and the second, which Cohen closed in Boston, starring Jerry Lewis, in Of particular note are the Olsen and Johnson scripts and sketches, ca.

There are also numerous legal documents for both productions of the show. Partners in Crime, Inc. Cohen and Accomplice Company Ltd. Includes related correspondence; agreement dated Mar. Condren, dated Mar. Folder 14 includes financial operating statements for Accidental Death of an Anarchist and M. Includes statements, - and form letter to investors, Apr. Includes memo re: car service for Rupert Holmes, a poor quality copy of production budget for M.

Butterfly , Apr. Includes prop inventory and list of items to be returned to Omicron Production Services Corporation. Includes theater settlement, box office statements, closing statement, Apr. Includes copies of Long Wharf agreements for Ah, Wilderness! Includes copies of motion picture agreements for Ah, Wilderness! Includes two letters, one handwritten from Robert Anderson, Sept. Includes mostly legal matters; Comedians also included in some correspondence. Includes stage manager and crew, press agent, sound studio, and American Theatre Society Subscription Service.

Includes two press releases, copies of ads, two memos from Robert Reud the Advance Agent , and press list. Kennedy's secretary, Apr. Includes Comedy in Music Opus 2 program with two-page color ad for Baker Street ; see also Photographs series for color transparency.

Includes carbon copies of billing format and Billing Sheet with contractual provisions for billing. Includes list of musical numbers, short list of credits for Dennis Marks, Alan Freedman, and Jerome Coopersmith, Oliver Smith itinerary, Sherlock Holmes's books-in- print list, and manager's manual. Includes correspondence, contracts with Motley, Martin Beck Theatre, insurance papers, rider to Robin Miller contract; see also Correspondence files. Includes correspondence, restaurant tie - ins, review quotes, Boston handbill, Broadway Theatre program cover, some correspondence mentioning Hamlet , and publicity items.

Photocopy of acting version, with copy of inscription by Austin Pendleton; includes three loose pages of typescript: "T. Includes New York Times agreement, agreement re: outdoor advertising, and agreement with Seymour Herscher for souvenir books. Includes statements for Wilbur Theatre, Boston, Mass.

Louis, Mo. Includes press release, correspondence, box office policy, miscellaneous notes, Peter Brook bio, cast lists, play synopses, and A Narrative by Margaret Croyden. Includes program cover, press release, and form letters to press; see also Baker Street Advertising files for program. Includes financial statements as of Dec. Includes Mark Hellinger Theatre program and small booklet of restaurants and parking facilities.

Includes letters from Hugh P. Includes mostly legal correspondence, but also includes personal note from Raymond FitzSimons, and an insurance report on a robbery at the theater. Includes copies of correspondence, handbill, bookmark and clippings, for Ambassadors Theatre production. Includes contract for Aug. Includes contracts for Richard Avedon as designer, William Goldenberg as composer, rider to Actors' Equity contract, and advertising contract. Includes Falmouth Playhouse statement, Aug. Includes insurance papers, press release, and notes for block party held Oct.

Includes notes re: musicians, Mail Dept. Includes copies of form agreements with restauranteurs, lists of restaurants approached for promotion, and correspondence re: Nine O'Clock Theatre v. Colony Restaurant. Lee, June 8, and several letters sent by Ralph Alswang. Includes letters from Irene Sharaff, Jan. Includes correspondence and forms to and from Actors' Equity Association re: importing four British actors. Includes contracts with Peter Arno, F.

Kurtis Sound Systems, Inc. Weiss and Sons. Includes schedule, contact sheet, lighting list, prop lists, and Shubert Theatre, New Haven, running time. Includes some correspondence, lists of first night press, party for Norman Ginsbury list, and one review. Includes handwritten thank you note signed "Richard and Elizabeth" and copy of typed letter Nov.

Arnold Weissberger, Sept. Includes correspondence, receipts, and lists of expenses and payments; see also Richard Burton Salary folders. Includes notes and memo re: payments to cast for performance not completed, and crew for Life picture call. Includes memo re: Toronto Customs' Inspection, Gielgud notecard with note on front cover, and closing notice. Includes incomplete copy of Olsen and Johnson script; 37 pp. Includes contracts for Lloyd Battista, Roger L. Includes ledger book with orders for The Homecoming and Little Murders. Includes material from John R.

Fernbach's files, per diem memo, capital account correspondence, and notes. Includes letter signed "Brendan Behan," Feb. Behan, May 6, , and shorthand notes. Includes budgets for unspecified theaters, ticket price scale for Royale Theatre, and payments made as of Mar. Includes lists of cast and some crew for Phoenix Theatre, London production, and availability for New York production. Includes contracts, financial information, and copy of letter re: authorization for television special.

Includes production memo, reception menu, flame proofing certificate, list of music used, schedule, program cover, and memo from Cohen to John R. Includes list of music used, copy for program inserts, ticket stubs for Westport Country Playhouse, Aug. Amanda Vail , and letter of agreement. Includes press release draft, draft of Frank Duane article, correspondence with Richard Maney, and handbills. Includes list of lighting equipment, receipts, lists of music suggested for listening, and Caedmon booklet. Includes dimensions for pre-Broadway tryout theaters and seating plan and dimensions for Helen Hayes Theatre.

Includes agreements with Joseph C.

Hansen, Nolan Bros. Includes salary list for New York production, profit and loss accounting for joint venture and London production, and analysis of London production costs. Includes contact sheet, furniture list for Charles Boyer's dressing room, and flame proofing certificates. Includes authorization forms for use of Hanover Bank account; Cohen was General Manager for production. Includes opening night seats pulled, memo, and letter re: seats, and Longacre Theatre seating chart. Includes music for Cuimacilla and The Lights of Roma. Includes correspondence with investors and potential investors, list of investors, and stock royalty statement.

Somlyo, and house physician. Includes banking information, royalty statement, hotel lists, house seat list, tax information for foreign employees, souvenir program sales, arrangements for proposed cast recording, and notes. Includes three press releases, ticket order form, cast album order form, copy for BOAC ad, invitation to black -tie reception, and Blaine-Thompson ad schedule; see also General Office Files - Advertising. Includes one letter re: agreement with American Repertory Theatre; Cohen tried to bring this play to Broadway. Includes correspondence, contracts, ticket order form, and notes for program with Xavier Cugat, Abby Lane, and Jack E.

Leonard, Mar. Includes inventory of Interscope, Inc. Includes contracts and correspondence; see also Summer Carnival general files. Includes letters of agreement for musical director, pianists, designers, and for souvenir program. Includes correspondence, contracts, and notes; see also Beyond the Fringe Advertising and Publicity for program. Includes eligibility form, rules, press release, and list of presenters for Tony Awards , and copy of bank statement.

Script has "John Morris" and " 4" written on title page; Leland Hayward office address is printed on title page. Includes letter of agreement with William Louther, billing clauses, and rider to Gene Rupert contract. Includes program outline, list of replacement conductors and instrumentation, one clipping, and notes. Includes letter from Neil Simon, Mar. Includes correspondence and memos re: Jeremy Sams's adaptation; includes some pages of script revisions.

This series contains correspondence, scripts, contracts, financial papers, programs, production materials especially talent related , and clippings documenting Cohen's television productions. The productions for which Cohen and his producing partner and wife, Hildy Parks, are perhaps best known are the Tony Awards telecasts, from through , and the three Night of Stars specials , , There are a number of scripts for the Tony Awards written by Hildy Parks.

Other awards shows produced by Cohen and Parks include three Emmy Awards telecasts , , , and the eighth A. Awards The and Emmy Awards are especially well documented. In addition to the three Night of Stars specials, which were fundraisers for the Actors' Fund of America, Cohen also produced Parade of Stars in to raise funds for the organization. The couple's many television specials included CBS: On the Air , a weeklong series of programs celebrating the network's fiftieth anniversary.

The Liza Minnelli production is especially well documented. Of special note is a letter from Marlene Dietrich regarding an addendum to her contract for her television special. Includes AFTRA form contracts, contract for lighting designer, Gary Natoli clip clearances , assistant talent coordinator, secretary, and contract fragment. Includes seating plans and lists for post- show dinner and breakfast at Samuel Bronfman II home. Bentwood Television. Includes copy of proposal for program and list of possible performers, and suggestions by Alfred Stern.

Includes list of Fashion Segment participants, list of program covers and window cars needed, and blank label; for printing samples, see Night of Stars III. Includes letter from Phyllis McGuire, Apr.

Archives & Manuscripts

Includes Bel-Air luncheon, Mar. Includes casting offers, copies of letters from Christopher Walken and John Ritter, copies of two personal notes from Liza Minnelli, and handwritten note from Wendy Wasserstein. Includes letters of thanks for supervising producer and production supervisor to crew members, as well as from Cohen to talent and executives. See also individual years of Tony Awards , especially , , and Arbitration and Permissions Files. Includes correspondence and agreements re: use of Tony Awards ' footage for various years. Includes agreements with Bentwood Television, Jan.

By Hildy Parks; includes several pink pages of revisions, rundown, rehearsal schedules, and telephone directory. Includes Yul Brynner contract, Feb. E Contact. D Digitized. Cohen papers. Creator Cohen, Alexander H. Please check the collection records in the NYPL's online catalog for detailed location information. Scope and arrangement Primarily documenting the career of theater and television producer Alexander H. Cohen papers are arranged in seven series: Series I: Productions. Sub-series 1: Theater, ca.

Administrative information Source of acquisition The Alexander H. Separated material Audiovisual materials separated from archival collections are cataloged individually and can be found in the Library catalog. Live U. Air Force Band, Washington, D. Key terms Names Barnum, P. Mumm et Co. Locust Street Theatre Philadelphia, Pa. Morris A. Mechanic Theatre Organization : Baltimore, Md. O'Keefe Centre Toronto, Ont.

Series I: Productions. Sub-series 1 - Theater. Absence of a Cello Bucks County Playhouse.

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Accidental Death of an Anarchist. Dario FoVisa Status. Limited Partnership Agreements. Shubert Organization Belasco Theatre. Accounts Receivable. Box Office Sales. Investors' Ledger Sheets. Invoices and Payments. Statements of Financial Condition. Theater Settlements. Production Schedules. Stage Manager's Reports. Ticket Sales Proposal. Contracts - Limited Partnership List. Reports - Distributive Shares.

Income Tax Returns. Pasadena Playhouse Calif. Richard Rodgers Theatre New York. Correspondence, General. Correspondence, Actors' Equity Association. Australian Participation. Actors' Equity Association. Production Contract. Limited Partnership. Agreement, Certificate of Formation, and Assignment. Partners in Crime. Prior Agreements. Richard Rodgers Theatre. Samuel French, Inc. Wardrobe and Hair. Box Office Statements. General Manager's Office. Invoices, Unpaid. Includes accounts payable list, list of expenses, and handwritten notes.

Morgan Guaranty Pierpont Funds. Pension and Welfare Funds. Stock and Amateur Rights. Theater Settlements Richard Rodgers Theatre. Ticket Price Scale. United Scenic Artists. June and Undated. Comp Lists and Charges. Forms and Handwritten Lists and Notes. Workers' Compensation. Potential Investors - Correspondence. Lesser Theatre Service. Acceptance List, Apr. Seat List by Ticket Number.

Ticket Request Forms. Includes invitations, correspondence, notes, and contact sheet with talent list. Permits and Certificates. Includes Fire Department and electrical inspections and permission. Pyrotechnists, Feb. Production Meetings. Production Schedule. Program and Program Copy. Publicity Materials. Includes press releases, press blurbs, and correspondence re: interviews and appearances. Renaming of Theater. Set Designers, Prospective.

Special Effects Descriptions. Theatre Development Fund. Employment Eligibility Verification. Richard Rodgers Theatre Payroll Printouts. Investors, A - Y. Limited Partner Lists. Ages of Man. Includes two letters, list of opening night party guests, program cover, and handbill. Long Wharf Theatre. Billing Information. Investor Instructions and Questionnaire. Memoranda and Notes. Includes handwritten notes and memoranda re: telephone number and message.

All Summer Long. Anna Christie. Limited Partnership Agreements and Assignment. Annette and the Two Guitars. Production Materials. Applause Musical. At the Drop of a Hat. Limited Partnership Agreements and Assignments. Underwriters Trust Company. Robert Alex Baron Special Account. July 22 - Aug. Seymour Herscher, Special Account. Includes form letters to investors, one dated Apr.

Theater Settlements John Golden Theatre. Potential - Rejections. Opening Night Invitation. Includes statements for Alcazar Theatre, St. Paul Auditorium, and Blackstone Theatre. Internal Revenue Service. Production Budgets. Unemployment Notices. Includes Blackstone Theatre program, and correspondence and papers re: souvenir programs.

At the Drop of Another Hat. Contracts Wilbur Theatre, Boston, Mass. Program and Handbill. Restricted, Investors List. Baker Street Musical. Script Revisions. Billing for Cast and Creative Staff. Includes mostly correspondence; one letter is from Peter Sellers, Feb. Includes correspondence; one letter is from Basil Rathbone, Feb.

Edward B. Marks Music Corporation.

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Cast Recording M-G-M. Choreographers and Musical Director. Delfont, Bernard. Estate of Sir Arthur Conan Doyle. Limited Partnership Agreements and List of Investors. Includes Assignment to Baker Street Company. Motion Picture Rights. Underwriting Agreement. Costumes, and Props. May 31 - July Estate Royalties. Preliminary Invoices Paid. Shubert Theatre Boston. Alphabetical Breakdown. Includes two route books with figures written in pencil, possibly advance sales or grosses.

Includes correspondence, ledger sheets, notes for salary cuts restored. Includes correspondence, with one letter from Tommy Tune, Oct. Order Form Letter, ca. Locations and Exchanges. Requests - Correspondence. Includes correspondence and forms for monies returned to investors. Potential Investors. Original Cast Recording Liner Notes.

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